Ahead of me was the beaten
body of the deer,
its tan legs splayed out across
the painted centre line.
To my right the car ticked
over patiently
and beyond it, dancing above the
yellow of the plains,
Montana rose and fell, its
lung-beats green
and long since calcified.
I must have torn one of its
arteries
to make it give up so much
blood,
which now, finding grooves
and channels in the road,
rolled down to pool
by a trailhead information
stand,
which taught in flat
municipal tones
the song of the great divide.
How explorers
edged towards it in canoes
watching for movement in the
peaks,
how geologists,
cartographers,
swarmed after them
writing out this gorgeous
hydrologic fact
for the always-evening stillness
of their libraries.
How years later, through the
silence of Montana afternoons,
struck the lonesome, rigid
steps,
of rangers planting signs.
But no one teaches this –
when you hit a deer on the
great divide
and have to move the body off
the road,
which side do you move it to?
To the east, so that its
blood runs long and slow
into the tar-slicked Texan
Gulf,
or to the west, to tumble through
the mountain waters
of the Blackfoot,
Clark-Fork and Columbia,
to be slung back by the mad
Pacific
and turned to foam
against the lowest cliff-hugging
branches
of some Oregon state park?
And nobody prepared me for
that electric fear
as I approached the body
and moved my hands towards
its legs,
scared that this once lithe
uncertain thing
might flinch.
Then, as my fingers tightened
round it, guilt
came tumbling back
to swill around my belly
that this was all because of me,
that instead of being a
machine
like this animal deserved
and braking when I could have
stopped in time,
my wild heart was on another
continent
thinking of a girl in London
where the bus-bombed city
wears the ghost of oceans
like a hat.
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